{"id":5041,"date":"2021-05-25T13:30:00","date_gmt":"2021-05-25T11:30:00","guid":{"rendered":"https:\/\/carontestudio.com\/blog\/?p=5041"},"modified":"2023-10-30T10:54:12","modified_gmt":"2023-10-30T09:54:12","slug":"como-disenar-un-patron-photohsop","status":"publish","type":"post","link":"https:\/\/carontestudio.com\/blog\/como-disenar-un-patron-photohsop\/","title":{"rendered":"C\u00f3mo dise\u00f1ar un patr\u00f3n: Photoshop"},"content":{"rendered":"\n

\u00bfQuieres aprender a dise\u00f1ar estampados<\/strong>, patterns<\/strong> o patrones<\/strong> llenos de textura y color? El mes pasado nos adentramos en el mundo de los estampados con el art\u00edculo C\u00f3mo dise\u00f1ar un patr\u00f3n: Illustrator<\/a>. En la entrada de hoy seguiremos el camino aprendiendo c\u00f3mo dise\u00f1ar un patr\u00f3n en Photoshop<\/strong>. No te pierdas los trucos y \u00a1Sigue leyendo!<\/p>\n\n\n\n\n\n\n\n

Referentes en el dise\u00f1o de patrones<\/h2>\n\n\n\n

Hay multitud de profesionales del dise\u00f1o y la ilustraci\u00f3n que basan su trabajo en el dise\u00f1o de patterns<\/strong>. Tres de las dise\u00f1adoras de patterns m\u00e1s conocidas a nivel nacional son Catalina Estrada<\/a>, Monica Mu\u00f1oz (Moniquilla<\/a>) y Laura Varski<\/a>. Estas tres dise\u00f1adoras\/ilustradoras tienen estilos muy diferentes a la hora de crear sus estampados, pero las tres comparten las mismas herramientas a la hora de crearlos: Illustrator y Photoshop.<\/strong><\/p>\n\n\n\n

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A pesar de que las t\u00e9cnicas var\u00eden, el comienzo es el mismo, las tres parten del papel. Mediante cualquier t\u00e9cnica: acuarela, l\u00e1piz, rotulador, ceras\u2026 crean ilustraciones o dibujos de figuras, plantas, formas o cualquier tipo de elemento a partir del cual empiezan a dise\u00f1ar un motivo que pueda repetirse hasta el infinito. Una vez ilustrados estos elementos, los escanean y los pasan a sus ordenadores, para poder empezar a trabajar con ellos. <\/p>\n\n\n\n

Dependiendo del tipo de estampado que est\u00e9n buscando, trabajan en Illustrator o en Photoshop. Como mencionamos en el art\u00edculo anterior, la diferencia principal entre Illustrator<\/strong> y Photoshop<\/strong> es que el primero trabaja los vectores<\/strong> y el segundo las im\u00e1genes<\/strong>. <\/p>\n\n\n\n

\u00bfCu\u00e1l es la diferencia entre trabajar con vectores y con im\u00e1genes?<\/h2>\n\n\n\n

Trabajo en formato vectorial<\/h3>\n\n\n\n

Al trabajar en formato vectorial, podemos escalar nuestros dise\u00f1os desde el tama\u00f1o de un favicon hasta enormes vallas publicitarias sin la m\u00e1s m\u00ednima p\u00e9rdida de calidad. Esto podr\u00eda ser muy interesante a la hora de crear un estampado, ya que podr\u00edamos asegurarnos de que nuestro dise\u00f1o pueda funcionar tanto en un peque\u00f1o lapicero como en un papel pintado que cubra toda una pared.<\/p>\n\n\n\n

Trabajo con im\u00e1genes<\/h3>\n\n\n\n

Entonces\u2026 \u00bfQu\u00e9 ganamos dise\u00f1ando un estampado en Photoshop? Ganamos textura<\/strong>. Photoshop es un programa de edici\u00f3n de im\u00e1genes, por lo que si al comenzar nuestro dise\u00f1o, decidimos partir sobre papel, creando un motivo en acuarela, podremos escanear y editar nuestro motivo mediante esta herramienta sin perder la textura que hemos creado sobre el papel.<\/p>\n\n\n\n

\u00bfC\u00f3mo dise\u00f1ar un patr\u00f3n en Photoshop?<\/h2>\n\n\n\n
  1. Creamos un nuevo documento<\/strong>, al igual que hicimos en el anterior art\u00edculo, de 50\u00d750 cm.<\/li>
  2. Como hemos comentado antes, podemos hacer un motivo en un papel<\/strong>. Nosotros hemos creado una mancha azul en acuarela. <\/li><\/ol>\n\n\n\n
    \"C\u00f3mo<\/figure>\n\n\n\n
    1. A continuaci\u00f3n haremos clic en \u201cFiltro<\/strong>\u201d del men\u00fa superior, al desplegar el panel buscaremos la opci\u00f3n \u201cOtro<\/strong>\u201d y haremos clic en \u201cDesplazamiento<\/strong>\u201d. <\/li><\/ol>\n\n\n\n
      \"C\u00f3mo<\/figure>\n\n\n\n
      1. Se nos abrir\u00e1 el panel de \u201cDesplazamiento<\/strong>\u201d, en el podremos modificar los valores en la l\u00ednea Horizontal. Si movemos el cursor por la l\u00ednea, comprobaremos que el lienzo se desplaza, volviendo a aparecer por el lado contrario. Lo moveremos hasta conseguir ver el punto en el que se juntan la parte derecha e izquierda de nuestro lienzo.<\/li><\/ol>\n\n\n\n
        \"estampados<\/figure>\n\n\n\n
        1. El siguiente paso ser\u00e1 rellenar el espacio blanco que separa ambos lados.<\/li><\/ol>\n\n\n\n
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          \"pattern<\/figure>\n<\/div>\n<\/div>\n\n\n\n
          1. Una vez hayamos rellenado ese espacio, seleccionaremos y combinaremos las nuevas capas que hemos creado, para convertirlas en una \u00fanica imagen.<\/li><\/ol>\n\n\n\n
            \"dise\u00f1o<\/figure>\n\n\n\n
            1. Repetiremos los pasos 4 y 5, cambiando esta vez los valores de desplazamiento vertical, y rellenando ese espacio en blanco.<\/li><\/ol>\n\n\n\n
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              \"dise\u00f1ar<\/figure>\n<\/div>\n\n\n\n
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              \"C\u00f3mo<\/figure>\n<\/div>\n<\/div>\n\n\n\n
              1. Desde el men\u00fa superior, volveremos a desplegar el men\u00fa \u00abedici\u00f3n<\/strong>\u00ab, haremos clic en \u201cDefinir motivo\u201d<\/strong> y nombraremos nuestro nuevo motivo.<\/li><\/ol>\n\n\n\n
                \n
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                \"dise\u00f1ar<\/figure>\n<\/div>\n\n\n\n
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                \"dise\u00f1o<\/figure>\n<\/div>\n<\/div>\n\n\n\n
                1. Una vez creado nuestro motivo, como hicimos en Illustrator, haremos un lienzo de mayor tama\u00f1o para ver el resultado de la repetici\u00f3n de nuestro patr\u00f3n. Creamos un nuevo documento de 100x100cm, y en el panel de capas, desplegamos las \u00abcapas de ajuste<\/strong>\u00ab, y seleccionamos la opci\u00f3n \u00abmotivo<\/strong>\u00ab. <\/li><\/ol>\n\n\n\n
                  \"dise\u00f1o<\/figure>\n\n\n\n
                  1. Al abrir el panel de relleno de motivo, elegimos el motivo que acabamos de crear. Tambi\u00e9n podremos cambiar la escala <\/strong>de nuestro patr\u00f3n, para rellenar la superficie de nuestro lienzo repitiendo nuestro motivo a diferente tama\u00f1o. <\/li><\/ol>\n\n\n\n
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                    \"dise\u00f1o<\/figure>\n<\/div>\n\n\n\n
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                    \"dise\u00f1o<\/figure>\n<\/div>\n<\/div>\n\n\n\n
                    1. Por \u00faltimo, una de las posibilidades que nos da Photoshop, es la posibilidad de editar la gama crom\u00e1tica de nuestro estampado mediante los mapas de degradado. En el men\u00fa de \u00abcapas de ajuste<\/strong>\u00ab, podemos encontrar la opci\u00f3n de \u00abmapa de degradado<\/strong>\u00ab, en ella podremos seleccionar la gama crom\u00e1tica que queramos aplicar a nuestro dise\u00f1o. Y veremos como aplica estos colores teniendo en cuenta el contraste que ten\u00eda la gama crom\u00e1tica de nuestro anterior motivo. Una vez cambiados los colores, volvemos a \u00abedici\u00f3n<\/strong>\u00ab, \u00abdefinir motivo<\/strong>\u00ab, y as\u00ed podremos creando nuestro estampado en diferentes gamas crom\u00e1ticas para diferentes superficies.<\/li><\/ol>\n\n\n\n
                      \n
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                      \"C\u00f3mo<\/figure>\n<\/div>\n\n\n\n
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                      \"dise\u00f1ar<\/figure>\n<\/div>\n\n\n\n
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                      \"C\u00f3mo<\/figure>\n<\/div>\n<\/div>\n\n\n\n

                      Conclusi\u00f3n. \u00bfQu\u00e9 ventajas y desventajas tiene el dise\u00f1o de patrones en Photoshop?<\/h2>\n\n\n\n

                      Ventajas de dise\u00f1ar un patr\u00f3n en Photoshop<\/h3>\n\n\n\n

                      Como hemos podido aprender en el art\u00edculo de hoy, el dise\u00f1o de estampados en Adobe Photoshop puede ser la mejor opci\u00f3n para conseguir un dise\u00f1o que no pierda textura. Adem\u00e1s de ofrecernos la posibilidad de cambiar la gama crom\u00e1tica del mismo de una manera muy c\u00f3moda y sencilla.<\/p>\n\n\n\n

                      Desventajas de dise\u00f1ar un patr\u00f3n en Photoshop<\/h3>\n\n\n\n

                      Como desventaja principal de dise\u00f1ar estos tipos de estampados mediante las herramientas Adobe Illustrator y Adobe Photoshop, est\u00e1 el hecho de tener que hacerlo primero a papel, despu\u00e9s escanear el dise\u00f1o, y por \u00faltimo pasarlo al ordenador y quitarle el fondo para poder empezar a trabajar con \u00e9l.<\/p>\n\n\n\n

                      Dependiendo del tiempo del que dispongamos, todo este proceso puede ser bastante largo y repetitivo. La \u00faltima herramienta para dise\u00f1ar estampados que veremos en esta serie de art\u00edculos podr\u00eda ser la soluci\u00f3n a este problema. En el pr\u00f3ximo art\u00edculo de esta serie de C\u00f3mo dise\u00f1ar un patr\u00f3n<\/strong>, aprenderemos a dise\u00f1arlos a trav\u00e9s de la app para Ipad: Procreate<\/strong>.<\/p>\n\n\n\n

                      \u00a1Hasta el pr\u00f3ximo art\u00edculo!<\/p>\n","protected":false},"excerpt":{"rendered":"

                      En el art\u00edculo de hoy te ense\u00f1amos c\u00f3mo dise\u00f1ar un patr\u00f3n o estampados en Photoshop, no te pierdas los trucos y \u00a1Sigue leyendo!<\/p>\n","protected":false},"author":21,"featured_media":5123,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[53],"tags":[56],"class_list":["post-5041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diseno-grafico","tag-photoshop"],"acf":[],"yoast_head":"\nC\u00f3mo dise\u00f1ar un patr\u00f3n: Photoshop - Caronte Web Studio<\/title>\n<meta name=\"description\" content=\"En el art\u00edculo de hoy te ense\u00f1amos c\u00f3mo dise\u00f1ar un patr\u00f3n o estampados en Photoshop, no te pierdas los trucos y \u00a1Sigue leyendo!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carontestudio.com\/blog\/como-disenar-un-patron-photohsop\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00f3mo dise\u00f1ar un patr\u00f3n: Photoshop - 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